A Letter to my Pen

To my pen, my writing utensil, my mediator between thought and paper:

Let me tell you a story.

Once, there was a home up North. Deadened ivy ran up its bricks. The bricks themselves were cracking. The ivy was old, withering, and the mortar between the bricks acted likewise. There were gray spots on the roof, areas of shingle that had been weather-beaten more harshly than others. It was not a special home. Not to an outsider, anyway. It was old, running alongside a country road and aging all by itself. Time was its only company.

An old man from the Midwest owned the home, but it pained him to visit. It was his parents’ home, and they had died a long while ago. He had never liked the ivy, even when it had been alive. He hadn’t noticed the cracking mortar, but it was only because he had not looked closely enough. Too close an observation and he would’ve felt too much hurt. The memory of good times may have left too sharp a prick.

He did not live in the home, but each year at the beginning of the small warm season of the North, he would visit quietly. It was always a long drive through the cities, the highways, the commotion. But the farther North he drove, the softer the noises became. The highways narrowed to country roads, the pavement to dirt. And when the air became still, he knew he was close to his parents’ home.

Each year when he arrived, he only stayed a single night. He slept on the sofa, the one he had napped in as a child. When the morning came, he unzipped his suitcase. His ancient hands rifled around inside until he found the small paper sack of seeds. Tulip seeds. His mother’s favorite flower.

He walked thoughtfully to the lawn, stooped down to one knee at a nice patch of soil, and with his own aching hands, dug a small hole. He filled the soil with a scattering of tulip seeds, watered his miniature garden with a cup of sink water, and then, without much hesitation, he left the property. He drove back to the Midwest, and whether he tried to limit his thought or not, the tulips stayed on his mind. And although he spent much of the year away from his childhood home, and the tulips, he never could quite erase the thought of them entirely. And that itching thought is what keeps him coming back year after year, despite his insecurity.

Now, my pen: Listen to me.

It is easy to know the story of the old man, but people often forget you, the life of the tulip seeds. Once a year, during the warm season of the North, the seeds are planted. And then they are quickly forgotten. They blossom, of course. They bloom into very pretty flowers in the few months they have. The cold of the North, though, is quick to swallow them. The old man is gone to the Midwest, pondering them, wondering if he’ll return to them, and most importantly, never planting them in a place that they can sprout to their potential.

I am disappointed in myself, and I have disappointed you. I have unknowingly, unwillingly, become the old man.

I promise that I will be him no more.

I will sell my house in the North. I will build its replica in the Midwest. And I will grow my garden of tulips year round, so that you might develop into something I desperately want you to be.

Do not mind the weather. In my mind, it’ll always be the warm season.

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When Dreams are Reality

I had a dream recently.

Let me preface by saying that I have no opinion on dreams. If a certain person appears in my head at night, I do not think it a sign. Similarly, if I wake up with a particularly memorable one, I may sit on it for a moment. Just to think it through.

Dreams interest me, I guess.

A few nights ago, I was in a rowboat. There were no rows. The sea was before me in all respective directions, and I could see no land. The boat was an island, and the way it swayed, softly buoyant to the water, gave me a strange comfort.

I was neither scared nor excited to be in the boat. I felt as though I should feel something, being stranded alone as I was. But I felt nothing. For some obscure reason I remember that the rowboat’s white trim was tattered, and that its wear made me suspicious of the ocean, as though it had been through a storm – and more direly, that another storm might be on its way.

A storm never came. Instead, I began to live on the boat. I found an easel pad and a pen under its wooden bench that I much enjoyed. I wrote a bit about the ocean and the waves. Aimless things.

The sun never set while I lived on the rowboat, which interested me. I wrote and was happy. And it seemed when I did not give attention to the underside of the wooden bench, new objects would appear.

A bottle of wine came, and when I drank a glass, the bottle refilled. Books appeared, and each one I read was better than the last. Then, food – steaks and shrimp and green bean stalks, all seasoned and warmed over a skewer. And after the food came money. Loads of it, all bundled together by colored bands.

By whatever logic my dream allowed, I made additions to the rowboat with the money. In no time, it grew to a yacht, floating as still and simply as the rowboat once had. When I took time to observe all I had created, I had never felt such happiness.

The objects, though, while at the peak of my happiness, stopped appearing. I still had my yacht, my steak, my wine, my books, and my easel pad, but I grew angry. I began to hate the boat and the unsetting sun. I wanted more objects and did not know how to get them. My anger eventually simmered, and I laid quietly in order to think on the wooden bench, the cornerstone of the yacht.

My next thought was quick and stirring. I was greedy because I had no other person with me. No friends, no family. I craved material possessions because there was a void in me that was not filled by people.

I shot up from the wooden bench as though I had discovered something powerful.

Nothing, though, was changed. The yacht still floated silently. The ocean was still lonely. In the next moment, however, the sun slowly fell in the sky like it never had. Pallets of color melted above me, and I smiled. The ocean became dark, and for the first time, I slept on the wooden bench in peace.

That was a single day into Lent, and although I have no opinion of dreams, something tells me that the importance of fasting was itching to escape deep inside my head.

Happy Lent – and may having people always be greater than having things.

Kneeling Tall

Breakthrough

To put it simply, I am discontent.

While searching for happiness, I looked in the wrong places; and now, unfortunately, I’m a recipient of the consequences. Forgiveness, I suppose, must be sought patiently, and that is the path I am ready to travel.

Lately, I’ve been in need of a breakthrough – I’ve prayed for a breakthrough – and in the smallest dosages, it is coming.

This Sunday, I was in church, sitting behind a father and his son. The son, no older than nine, had an innocent obedience to his father. As the man would pull out the hymnal, the son would look up to him, stretch his neck to find a page number, and quickly grab a hymnal of his own. When the man folded his hands, so did the son; when his head bowed, the son followed; and when silent prayer-time came, the son’s lips murmured quietly, almost identically to the man’s.

The son’s admiration of the man was touching. I kept quiet watch of their interaction, out of, if nothing else, the respect I was gaining for the man’s example.

Let me give a brief detail of this Catholic church – it had no kneelers.

For anyone who has spent time in a Catholic church, the lack of kneelers is, shamefully for us, a guilty pleasure.

Instead of kneeling in reverence to the bread and wine, the congregation at this particular service stood. Then, a peculiar thing happened.

The man, despite everyone, knelt. The floor creaked at the sound of his knees. This movement was seen and heard by many people, and he drew a fair amount of quiet attention. I breathed in sharply at that moment, moved by the man’s faith, and I nearly brought myself to kneel. Regretfully, I did not.

But in that same moment, I noticed the son begin to fidget. He peeked at his father, and his eyes lightened as they once had while he reached for the hymnal, folded his hands, and murmured his lips in prayer. Within his expression, though, was doubt. Uneasiness. Maybe even a bit of fear.

Look at the scene Dad’s made, he must’ve thought. It’s too late for me to kneel – but – he’s all alone. Kneeling by himself.

The boy’s face scowled and contemplated for a good minute. Suddenly, though, he did not fidget. His face did not scowl. He placed his hand on his father’s shoulder, and he knelt. His knees, too, made the floor creak. And he, too, caused parishioners to look his way.

The best, most tender thing about the act?

The boy did not care about embarrassment.

I will admit – I smiled in that moment, and nearly felt ashamed. How had I passed up on the opportunity to kneel, in fear of a scene, when a nine-year-old boy had stuck to his principles? Faith – and loyalty to his father.

That was my breakthrough.

I walked home that afternoon, and realized I mustn’t feed into the norms of college life. I cannot afford to be a standing parishioner. I must do, and actively seek, what is best for me – in relationships, friendships, and more.

Next time, inside and outside of church, I will kneel.

And I hope the floor creaks.

The Risk of Maybe

Maybe

I am a self-diagnosed maybe person.

According to Webster, maybe is defined as “possibly but not certainly”; but within the dictionary, there is no definition of a maybe person.

Allow me.

A maybe person, I think, is one who teeters on decisions; one who enjoys the safety between yes and no; and one who, at times, lacks the confidence to choose, in fear of disappointing others.

I see better though writing, so let me explain the risk I present to myself through a story of my own.

 


 

Once, there was a home. A Victorian home, old and weathered, bargeboard and shutters misshapen. It stood in the forest of a small town, and although it was ancient, it had old-fashioned beauty.

After its years of vacancy, a young couple moved into the home, and together, they raised a family. As time went on, their children grew strong, and they grew older.

The Victorian house, though, had its secrets. After it was built, over a hundred years ago, strangeness began.

Each night, with the humans unaware, every object within the home came alive.

The tables and the chairs, the silverware and the drawers, the grandfather clock and the wallpaper, the books and the shelves, the lanterns and the matches.

The objects lived peacefully at night, and they did not disturb the humans.

When the young couple moved in, however, the objects became frightened. Their magic, they knew, would be destroyed if the family removed them, for the magic was in the house, and only meant for the original objects.

As the young couple renovated, year after year, objects began to disappear. First went the matches and the lanterns, then tables and the chairs, then the books and the shelves, then the silverware and the drawers. New objects replaced the old, and they were unable to come to life. Eventually, the grandfather clock and the wallpaper were the only living objects left, and during the nights they would speak.

“We should tell the people our secret,” whispered the grandfather clock one night in the dark.

“Maybe,” said the wallpaper, always less courageous than his friend. “But why?”

“They might keep us that way.”

“Maybe. You don’t know that.”

“It’s a chance we must take,” said the grandfather clock. “For our survival.”

“Even if the humans accepted, I’d still feel lonely without the others. Imagine it. Forever in the home – without them.”

At this, the grandfather clock became excited.

“Haven’t you listened to the humans?” he asked. “They didn’t throw away the others. Our friends are in storage, somewhere away from here. We could ask the humans to return them.”

“Yes, maybe,” said the wallpaper nervously. For a moment, he thought of the consequences. “What if they’re afraid of us?”

“The humans? Well, what choice do we have?” He then thought of the future. “They’re our last hope.”

“They might throw us away,” said the wallpaper, “if they were to know our truth.”

“You can’t base your decisions on fear.”

The wallpaper fell quiet. After a while, he whispered, “How do you propose we tell them?”

The grandfather clock allowed his hands to tick before answering. The soft echoes filled the halls, and the wallpaper became anxious.

You must do it,” said the grandfather clock.

“Me?” the wallpaper murmured. “I can’t.”

“You must.”

“Tell – tell me why.”

“We’re only alive at night,” said the grandfather clock, “and at night, the humans are upstairs sleeping. Your paper runs into the bedrooms. You’re the only one who can speak to them – and wake them.”

“I don’t know,” breathed the wallpaper. “It’s dangerous.”

“Please,” urged the grandfather clock.

The wallpaper thought. “Maybe,” he said. “Let me think.”

For days, for weeks, the conversation continued. The grandfather clock would plead, and the wallpaper could not decide because of his nerves.

One morning, the humans left for town, and they returned with large canvas sheets. The husband carried gallons of paint, and the wife held brushes and putty knives. They worked diligently as they peeled off the wallpaper, strip by strip, until the wall was bare. Then, that afternoon, they painted and repainted, and soon, the wall had a fresh shade of blue. That night, they went to bed and slept well, for the work had tired them.

When the sun had completely fallen, the grandfather clock awoke and looked to the wall, ready again to plead his case.

He stared at the paperless wall and could not speak. After the shock had passed, he began to weep. His last friend was gone, and his hope to tell the humans was destroyed. He cried deep into the night, and when his tears dried, he realized how lonesome he would forever be.

His hands ticked in the dark, and the humans, sleeping happily upstairs, were deaf to the sound.


 

As I begin college, I hope to wipe away the maybes inside of me.

Maybe, by doing so, I’ll save my future self.

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